What Inspires Me

What inspires me? Eli Sinkus – Editor at 522 Productions

Tom Young

Turn of Events, 2010  Tom Young 
from "Timeline", reviewed on Photoweenie by Jim Fitts

Mark and Kristen Sink

Jilian Flowers, 2012,  varnished pigment print

Mark and Kristen Sink    New Work   

ROBIN RICE GALLERY

Michael Nash

Michael Nash, Warsaw, 1946

A photographer uses his own backdrop to mask Poland's World War II ruins while shooting a portrait in Warsaw in November of 1946. (AP Photo/Michael Nash)

"Pigeon Market - Istanbul" Umit Okan

"The Art of Photography Show - 2012"

 

 

 

 

 

 

 

 

 

 

Arthur Tress

San Francisco, 1964 - Arthur Tress

Fritz Henle

Fritz Henle, Kopenhagen 1987

Wayne Miller

Enchanted Hills Camp for the Blind by Wayne Miller | 1950

Jean-François Rauzier

Jean-François Rauzier

Jean-François Rauzier was immediately captivated by numerical photography when it penetrated the professional market 15 years ago. He has been exploring the multiple opportunities offered by computer’s retouching since then, turning himself into a “virtual” painter.

In 2002, he created the “Hyperphoto”, a concept which enables him to deal with the impossible: to combine both infinitely big and infinitely small things in one same image, out of time.

To simulate the illusion of reality, Jean-François Rauzier first had to cope with all the inherent limits inherent of the photographic and technological equipment.

He found his way by juxtaposing, duplicating, twisting images with Photoshop, making it possible for him to reproduce human vision more accurately. This way, he generated a genuine numerical puzzle, in which the pieces, cut out, “drawn again”, come up along on top of the imagination of the artist.

From this technique is issued numerous fascinating and unusual details on which the spectator can dwell on.

The multitude of images invite the spectators to an inside journey, in dream-like, fantastic and timeless worlds. These worlds are filled with icons and references born of the artist’s cultural hall of fame.

Richard Wathen

Richard Wathen on linen, on aluminium, (diptych), 230 x 180 cm (each panel). www.maxwigram.com

Robert and Shana ParkeHarrison

Book of Life (2000) by Robert and Shana ParkeHarrison

Marie Sauvaitre

Marie Sauvaitre, Slab City, USA, 2005
Reflecting on globalization, mobility and the new roles of borders, ERRANCES - French term for something between exile and wandering - explores and pays homage to nomads home through color landscape photographs.

Megan Lowney

"My first successful 4x5 negative of senior year"  
Megan Lowney, NHIA (smart phone image}

Walker Evans

This entry was posted by Ted Barron

Urs Fischer

Urs Fischer, Untitled, 2011, wax, pigments, wicks, steel.  On view in the 2011 Venice Biennale Read More

Ester Bubley

April 1943. Washington, D.C. "Girl sitting alone in the Sea Grill waiting for a pickup. 'I come in here pretty often, sometimes alone, mostly with another girl, we drink beer, and talk, and of course we keep our eyes open -- you'd be surprised at how often nice lonesome soldiers ask Sue, the waitress, to introduce them to us.' " Medium-format nitrate negative by Esther Bubley for the OWI.  (note face in window above woman's head)

8"X10" VIEW

The Power of the 8-by-10 Film Camera

In this weekend’s magazine, Lizzy Goodman writes about Gaslight Anthem, a band from New Jersey, on the occasion of its new release this week. To illustrate Goodman’s story, George Tice photographed the band using a large-format, 8-by-10 film camera. Tice speaks about his love for his camera, which he bought new in 1969, in a video on our Web site.

Chris McCaw

Chris McCaw
Sunburned GSP#123 (Tahoe/expanding), 2007
also here

Julee Holcombe

"Among the River of Ghosts"

Made in Chimerica*,  August 3 - August 24, 2012
Collaged Photographs by Julee Holcombe

The Parlor at Planspoke
18 Sheefe Street
Portsmouth, NH 03801

*Must see!