Buster Keaton and Marceline Day in The Cameraman 1928 - via
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|Chromaesthetics-26B, 2013 by Douglas D. Prince|
Jean-François Rauzier was immediately captivated by numerical photography when it penetrated the professional market 15 years ago. He has been exploring the multiple opportunities offered by computer’s retouching since then, turning himself into a “virtual” painter.
In 2002, he created the “Hyperphoto”, a concept which enables him to deal with the impossible: to combine both infinitely big and infinitely small things in one same image, out of time.
To simulate the illusion of reality, Jean-François Rauzier first had to cope with all the inherent limits inherent of the photographic and technological equipment.
He found his way by juxtaposing, duplicating, twisting images with Photoshop, making it possible for him to reproduce human vision more accurately. This way, he generated a genuine numerical puzzle, in which the pieces, cut out, “drawn again”, come up along on top of the imagination of the artist.
From this technique is issued numerous fascinating and unusual details on which the spectator can dwell on.
The multitude of images invite the spectators to an inside journey, in dream-like, fantastic and timeless worlds. These worlds are filled with icons and references born of the artist’s cultural hall of fame.