Abandoned Toy Factories |
Tuesday, November 12, 2013
Thursday, September 19, 2013
Todd Walker Day
Chromaesthetics-26B, 2013 by Douglas D. Prince |
In celebration of the 96th anniversary of Todd Walker’s birth, the Center for Creative Photography at the University of Arizona declares Wednesday, September 25,Todd Walker Day! Melanie Walker will be giving a talk at the CCP gallery.
Todd's creative spirit and passionate pursuit of the process have been an inspiration for me, as a photographer and teacher, since we worked together at the University of Florida in the 1970's. In that same spirit, I'm posting a downloadable original digital image from my newest body of work, Chromaesthetics. I'd like to think that Todd would appreciate this gift to the imaging community.
Tuesday, September 3, 2013
Friday, August 16, 2013
Getty Museum Open Content
Carleton Watkins [American, 1829 - 1916], [Yosemite Valley from the Best General View], American, 1866, Albumen silver print, Image: (16 1/8 x 20 9/16 in.)-image from Getty Museum Open Content |
Wednesday, August 14, 2013
Thursday, April 18, 2013
Thursday, February 7, 2013
Sunday, January 13, 2013
Mark and Kristen Sink
Jilian Flowers, 2012,
varnished pigment print Mark and Kristen Sink New WorkROBIN RICE GALLERY |
Saturday, January 12, 2013
Michael Nash
Friday, December 28, 2012
Monday, November 5, 2012
Wednesday, October 10, 2012
Jean-François Rauzier
Jean-François Rauzier
Jean-François Rauzier was immediately captivated by numerical
photography when it penetrated the professional market 15 years ago. He
has been exploring the multiple opportunities offered by computer’s
retouching since then, turning himself into a “virtual” painter.
In 2002, he created the “Hyperphoto”, a concept which enables him to
deal with the impossible: to combine both infinitely big and infinitely
small things in one same image, out of time.
To simulate the illusion of reality, Jean-François Rauzier first had to
cope with all the inherent limits inherent of the photographic and
technological equipment.
He found his way by juxtaposing, duplicating, twisting images with
Photoshop, making it possible for him to reproduce human vision more
accurately. This way, he generated a genuine numerical puzzle, in which
the pieces, cut out, “drawn again”, come up along on top of the
imagination of the artist.
From this technique is issued numerous fascinating and unusual details on which the spectator can dwell on.
The multitude of images invite the spectators to an inside journey,
in dream-like, fantastic and timeless worlds. These worlds are filled
with icons and references born of the artist’s cultural hall of fame.
|
Richard Wathen
Richard Wathen on linen, on aluminium, (diptych), 230 x 180 cm (each panel). www.maxwigram.com |
Sunday, September 30, 2012
Friday, September 28, 2012
Marie Sauvaitre
Marie Sauvaitre, Slab City, USA, 2005 Reflecting on globalization, mobility and the new roles of borders, ERRANCES - French term for something between exile and wandering - explores and pays homage to nomads home through color landscape photographs. |
Monday, September 24, 2012
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