Friday, September 16, 2011

Moholy=Nagy

László Moholy-Nagy - Lago Maggiore, Ascona, Switzerland, ca.1930

Wednesday, September 14, 2011

Michael Wesely

Michael Wesely: using large format cameras (4x5 inches) he captured the light of his objects for up to 3 years in monochrome or color. More than 2 years to create this time encapsulation at Potsdamer Platz in Berlin.
[…] During the long exposure times the pictures constantly destroyed themselves, by putting layers and layers of new details on top each other.
Just when one detail had burned into the negative it was erased or overshadowed by another detail. In his eyes this constant change and destruction is something that really stands for the state of our society. 
The moment is fading, all that remains is the permanent overlapping of movements of all kinds, political or personal. The technologies of our times fuel this fire of restless ‘Online-Existence’. One day computers won’t have an on- or off-button anymore. We will always be online. [Source]

Wednesday, September 7, 2011

Thursday, September 1, 2011

"Ladies Goods," ink on found print, 2008 (c) Ruth Marten


Saturday, August 27, 2011

Friday, August 26, 2011

Giuseppe Arcimboldo

The Librarian, 1566, oil on canvas, Skokloster Castle, Sweden
Things I Miss
Deep in a bookshop
a day can pass unnoticed,
eyes fixed on titles.
The fun is in the searching,
and things learned along the way.
—Tanka by Michal Boiano, from the “Things I Miss” series.

Thursday, August 25, 2011

Daniel Canogar

Daniel Canogar, Marea, 2011
digital c print, duratrans, light box
70.8 x 118" / 180 x 300 cm
Edition of 3

Saturday, August 20, 2011

Christopher R. Perez

Wet plates, Dianas, Polaroids by Christopher R. Perez

Thursday, August 18, 2011

Photo Tractatus

"The Oracle," by John Gutmann, 1949

A sample from "The Photographers" on 

Photo Tractatus' Flickr photostream


Wednesday, August 17, 2011

Wednesday, August 3, 2011

Sunday, July 31, 2011

Saturday, July 30, 2011

Ralph Gibson

” I have been a photographer all my life….and have made photographs of many things and for many reasons. But one thing that becomes more and more apparent is that I am simply only as good as my next photograph. That’s the one that counts the most….For this reason I find it a delight to face a new day, and to develop that new roll of film. It’s a great way to live.”
—Ralph Gibson

Thursday, July 28, 2011

Chad Wys

Chad Wys, Nocturne 114, archival pigment print, 2011

Wednesday, July 27, 2011

Albert Pinkham Ryder | With Sloping Mast And Dipping Prow, c.1883

It’s more important to concentrate on what you want to say to yourself and your friends. Follow your inner moonlight; don’t hide the madness. Take [William Carlos] Williams: until he was 50 or 60, he was a local nut from Paterson, New Jersey, as far as the literary world was concerned. He went half a century without real recognition except among his friends and peers.
“You say what you want to say when you don’t care who’s listening. If you’re grasping to get your own voice, you’re making a strained attempt to talk, so it’s a matter of just listening to yourself as you sound when you’re talking about something that’s intensely important to you.”

Wednesday, July 13, 2011

"Doll"

Lisette de Boisblanc
As a New Orleans native, I felt the tragedy of Hurricane Katrina personally; my family was profoundly affected by the storm. We suffered not only the loss of physical possessions but endured psychological damage as well. Four years after the storm I found my grandmother’s ruined doll collection. The dolls had been submerged in water for two weeks. I began to X-ray them both as objects to document and preserve. I was curious to see how the damage looked on the inside. I was surprised by what I found within— nails, pins, hooks, springs holding them together, lost objects, safety pins, and pieces of jewelry.The dolls have an aura that is almost human, with internal workings that chronicle a life lived, a spirit. Sometimes they have strength; others, broken hearts. Making the photographs helped me move beyond my grief. The X-rays aren’t documents of decay and loss but stories about what can be recovered and saved, what can be found, seen, and kept. It is my hope that viewing these images created from X-rays will provoke the viewer to explore the depth of their relationships and experiences within themselves and the world around them.